Jasmine Reid
Jasmine Reid is an artist who creates across multiple media. Working most recently on canvas, her often improvisational style collages together tissue paper, ink, gold leaf, paint, and found materials to create deeply textured works. Her art often plays with themes of memory, reclamation, emplacement, and displacement. As with this show, the twin acts of remembering and forgetting frequently appear in her work.
Reid is also a photographer who is frequently inspired by her travels through southern Africa, western Europe, and the western United States. In her photography, she is often drawn to repeating shapes (buildings, trees, chairs, fence posts) whose regularity stands in sharp contrast to the more organic forms of her painting. In spite of many efforts to do so, Reid resists labeling herself only as a painter or only as a photographer. Instead, she lets these two creative perspectives share space.
Reid is an anthropologist by training. Her PhD work (2016-2022) brought her into close contact with southern African artists, museum curators, historians, and public educators who encouraged her to think deeply about how narratives form. While she has stepped away from academia, she still pays close attention to the stories we tell – and the experiences, people, and historical elements that get silenced in the process.
Reid currently resides in San Jose, CA, but often spends time in Johannesburg, New England, and Montana. All three landscapes deeply influence her work. When she is not painting, you can find her improving e-commerce experiences as a B2C UX Researcher, practicing her faith, and traveling with her husband.
Find out more here: https://www.jasminereidart.com/
Reclaimed: A Solo Exhibition
Featuring the work of Jasmine Reid
December 2023-January 2024
Reclamation finds meaning in overlooked things.
It is a form of recycling, of breathing value into something that has been discarded.
Jasmine Reid lets reclamation guide her work. As a Black American artist, Reid draws on a personal and ancestral history of recognizing what has been historically misrecognized. She uses her creative expression to celebrate how people of color have cobbled together spaces for themselves, in spite of attempts to undermine those efforts.
Through landscape photography and landscape paintings, Reid reclaims places and molds them into worlds where everyone belongs. Currently, her work draws on the materiality of real landscapes, but often mediated through – and consequently changed by – the act of recollection. In these places, memory of the past and hope for the future can coexist.
Part of this creative journey requires deep personal introspection, and many of the works on display emerge from Reid’s own memory of spaces that have shaped her understanding of herself. However, in Reid’s world, personal liberation is part of collective liberation, and as she reclaims memory for herself, she hopes that others also feel empowered to learn from the past, claim the present, and create radical hope for the future.